Compresses the combined effect signal before the external gain and flanger loop.
- After wah
- Post-effects compression
Effect profile /Dynamics
Also catalogued as M102
Explore the documented settings, signal-chain positions and roles of Dyna Comp in dated rigs by Adam Jones, Andy Summers, Bonnie Raitt, and 5 more. Every appearance remains tied to its supporting sources.
These are not generic specifications. Every entry is tied to a dated artist rig and preserves what the sources support: its job in that rig, known settings and its place in the signal path.
How the archive verifies pedalboards1977–2026Dated coverage
21Cited sources
Compresses the combined effect signal before the external gain and flanger loop.
Evens the attack and sustain before the modulation and tape echo.
Stays on to compensate for the long guitar cable and add a low-compression push before the gain and modulation pedals.
The squashiest of the three compressors, for long sustained leads.
Adds compression and sustain to the lead boost selected from Springsteen's custom remote stomp box.
Controls dynamics and extends sustain, particularly when feeding the talk box.
Shapes the attack and extends the sustain that Raitt controls with her touch and guitar volume while playing slide.
Adds clean sustain and a more elastic response when a part needs it.
Visible dynamics stage; cable order is not documented.