Role in this rig
Finishes the stereo path with reverb and tremolo.
Documented setup
- Control positions not published
- Placement follows the evidence note
Effect profile /Reverb & Ambience
Strymon Flint
Also catalogued as Flint
Explore the documented settings, signal-chain positions and roles of Strymon Flint in dated rigs by Cody Matlock, Doyle Bramhall II, Gary Clark Jr., and 4 more. Every appearance remains tied to its supporting sources.
- Pedalboards
- 7
- Artists
- 7
- Archive records
- 7
Controls in the archive
ColorColourDecayIntensityMixReverbReverb controlsReverb decayReverb typeSpeedTremoloTremolo controlsTremolo speedTremolo typeTwo footswitchesType switches
How this pedal appears in the archive
These are not generic specifications. Every entry is tied to a dated artist rig and preserves what the sources support: its job in that rig, known settings and its place in the signal path.
How the archive verifies pedalboards2012–2026Dated coverage
18Cited sources
Role in this rig
Carries the board's only ambience and its tremolo, sitting between the fuzzes and the wah.
Documented setup
- Control positions not published
- Placed before the wah
Role in this rig
Finishes the travel board with tremolo and reverb.
Documented setup
- Control positions not published
- Placement follows the evidence note
Role in this rig
Loop four of the second switcher, named by McKeon as the board's tremolo.
Documented setup
- GigRig switcher two, loop 4, labelled FLINT
- Control positions not published
Role in this rig
Supplies the single ambience on the board, with the tremolo section left off.
Documented setup
- Reverb section only
- Tremolo unused
Role in this rig
Provides final ambience and amplitude modulation before returning to the PI-01 in stereo.
Documented setup
- Stereo output to PI-01 return
- Last connected effect on the main board
Role in this rig
Visible on the photographed board; its audio-loop position is not documented.
Documented setup
- Control positions visible but not interpreted
- Routing untraced