Drove the saturated, ragged edge of Stephens' high-volume Blue Cheer guitar sound.
- Exact knob settings not documented
- Enclosure color not documented
Effect profile /Gain
Also catalogued as BC109 Fuzz Face
Explore the documented settings, signal-chain positions and roles of Fuzz Face in dated rigs by David Gilmour, Duane Allman, Eric Johnson, and 6 more. Every appearance remains tied to its supporting sources.
These are not generic specifications. Every entry is tied to a dated artist rig and preserves what the sources support: its job in that rig, known settings and its place in the signal path.
How the archive verifies pedalboards1966–2022Dated coverage
24Cited sources
Drove the saturated, ragged edge of Stephens' high-volume Blue Cheer guitar sound.
Adds extra saturation in the context-specific early rig; it was not the basis of his later Les Paul and Marshall live sound.
Provided the rounded but aggressive fuzz voice at the center of the early Stooges live sound.
Turns the wah-shaped signal into a saturated, volume-sensitive fuzz before modulation.
Provides the first of two selectable fuzz voices in the integrated board.
Squire's core fuzz since the band's early years, stacked with the Tube Screamer for solos.
Adds the saturated, cleanup-sensitive fuzz Vaughan adopted for his late Hendrix-inspired material.
Provides Bonamassa’s thick vintage fuzz voice after the amplifier routing stage.
Provides saturated, touch-responsive fuzz into the Two-Rock rhythm amplifier.
Provides the board's only fuzz voice, retained from the 2013 rig.