John CipollinaPedalboard, 1984

John Cipollina wired his guitar in stereo and split it by pickup in 1984. The treble side ran two Echoplexes, an Ampeg Scrambler, a rotary module and a fast phaser; the bass side took a Maestro phase shifter, an MXR Blue Box and a modified Vox wah.

Board
Stereo split-effects rig
Context
Nick Gravenites / Quicksilver-era touring setup
Board date
Evidence
Documented equipment · 2 cited sources
Order
Source-described
Scope
Touring-period rig
Routing
Split output path
Audited
Signal
8 units · Guitar to amplifier

Stereo split-effects rig

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Order evidence: A source states the sequence

Inside the rig · 8 units

Pedal roles & evidence

How each unit fits John Cipollina's 1984 setup. Board-specific roles and the evidence behind each identification and position.

Cited sources

Source-described orderIdentity and position are evidenced separately. Reconstructed positions are not observed connections.

Delay & Echo

Tube Echoplex

Treble pickup branch

Role in this rig

Begins the documented effects inventory on the treble-pickup branch and supplies one of two contrasting tape-echo voices.

Identity
Documented
Position
Documented

Delay & Echo

Solid-state Echoplex

Treble pickup branch

Role in this rig

Pairs with the tube Echoplex so Cipollina can use a second tape-delay and preamp character on the same pickup branch.

Identity
Documented
Position
Documented

Gain

Ampeg SC-1 Scrambler

Treble pickup branch

Role in this rig

Supplies the dedicated fuzz voice on Cipollina's treble-pickup effects branch.

Identity
Documented
Position
Documented

Modulation

Standel-style "Module" rotary effect

Treble pickup branch

Role in this rig

Adds the brittle rotary-organ voice to the treble-pickup branch.

Identity
Documented
Position
Documented

Modulation

Roland "Bi-Phase" unit

Treble pickup branch

Role in this rig

Runs on the treble-pickup branch at twice the speed of the Maestro phase shifter on the bass-pickup branch.

Identity
Documented
Position
Documented

Modulation

Maestro PS-1-series Phase Shifter

Bass pickup branch

Role in this rig

Provides the slower phase movement on Cipollina's bass-pickup branch for counter-motion against the treble-side phaser.

Identity
Documented
Position
Documented

Gain

MXR Blue Box

Bass pickup branch

Role in this rig

Feeds Cipollina's modified wah on the bass-pickup side to create the dirty, growling fuzz described in the interview.

Identity
Documented
Position
Documented

Filter & EQ

Modified Vox wah

Bass pickup branch

Role in this rig

Shapes the bass-side octave fuzz into the dirty, growling voice described in the 1984 rig interview.

Identity
Documented
Position
Documented

Documented equipment · Documented order · Split output path

Musician's April 1984 profile quotes Cipollina's current split-amplifier method and enumerates the processors assigned to each pickup branch. Its wording establishes branch membership and the speed relationship between the two phasers, but not a jack-to-jack order inside either branch; the visual order therefore follows the article's enumeration. Guitar Player independently confirms the stereo pickup split, Standel/Fender amplification and Cipollina's use of echo, Standel rotary modulation, fuzz and Vox wah. The transcribed name "Roland Bi-Phase" and the product Cipollina called a "Module" cannot be matched to a dependable exact chassis, so both remain explicitly unresolved rather than being silently replaced with better-known models.

Cited sources

Methodology
  1. MusicianJohn Cipollina profile and effects interview
  2. Guitar PlayerWatch Acid Rockers Quicksilver Messenger Service Perform Their Celebrated Show Opener, "Fresh Air"

Questions about John Cipollina's 1984 pedalboard

What pedals did John Cipollina use in 1984?
This dated entry lists 8 units: Tube Echoplex, Solid-state Echoplex, Ampeg SC-1 Scrambler, Standel-style "Module" rotary effect, Roland "Bi-Phase" unit, Maestro PS-1-series Phase Shifter, MXR Blue Box, Modified Vox wah. This is the recorded inventory, not a claim that every connection or model identification is confirmed; see the evidence and routing notes.
What order were John Cipollina's pedals in?
A cited source states the order. See the diagram and routing notes for the separate paths and any unconfirmed connections.
Is this John Cipollina's full guitar rig?
No. This dated entry covers 8 units in the effects path, not every piece of gear John Cipollina owned or used. Floor pedals, rack units and routing devices are included only where recorded; omitted equipment and uncertain connections are explained in the notes. It is not a complete or current rig inventory.
When and where was this pedalboard used?
Documented April 1984 rig. Nick Gravenites / Quicksilver-era touring setup. This is the rig documented for that touring period, not a career-wide gear list.
How does the archive know what was on this pedalboard?
2 cited sources, listed above with the date each was read, including Musician, Guitar Player. Among them an interview and a written article. The units are recorded as documented equipment, and the page was last audited on 2026-07-18.